If you haven’t seen it already here or elsewhere, the ad depicts an
FBI forensic artist named Gil Zamora sketching women (that he can’t see)
by the way they describe themselves. He says things like, "Tell me
about your chin," to which these women depressingly reply, “It kind of
protrudes a little bit, especially when I smile,” or "My mom told me I
had a big jaw." Then strangers sit down and describe these same women to
Zamora. The resulting sketches—the ones based on strangers’
descriptions—are ultimately more attractive and look more like their
subjects than the ones based on self-description. The idea is that women
are too critical of themselves. The tagline: “YOU are more beautiful
than you think!”
Anselmo Ramos, a vice president and creative director at Ogilvy
Brazil, is one of the key creatives behind this ad--as well as other
ingenious creations, like the ad featuring a karaoke mic doubling as a breathalyzer as
a way to combat drunk driving. He spoke to us about the inspiration
behind the real beauty sketches and how these videos were made.
“Everything is a conversation really,” Ramos says of his creative
philosophy. “Consumers are ready to engage with brands. We just need to
entertain them.”
We got a simple and ambitious brief from our clients: Make women feel
better about themselves. Back in 2007, when Dove won the Cannes Grand
Prix with “Evolution,”
the “Real Beauty” concept was a completely different point of view from
the entire beauty industry. Now that the Campaign for Real Beauty has
been established, our job was to talk straight to women in a more
intimate, personal way. According to statistics, only 4% of women feel
good about themselves across the globe. We decided to do something that
would move the other 96%. From the very beginning, we tried to look for
an idea that could actually prove they are wrong about their self-image.
An experiment. We had several ideas, but “Real Beauty Sketches” really
stood out. There’s a lot of merit to the clients, because they didn’t approve a script; they approved a social experiment.
We always say that if you know exactly what you’re doing, then
probably you’re not doing something really new. We like to come up with
ideas that a) haven’t been done before, and b) we have no idea how the
heck we’ll do it. With “Real Beauty Sketches,” we thought that women
would probably describe themselves in a more negative way than
strangers. But it was just a guess really, based on common sense and
women’s nature. It could go totally wrong. When we told the idea to the
clients, we said: “Listen, this is the idea. We don’t know if it’s going
to work, but we think it will. The only way to find out is by doing
it.” So there’s a lot of merit to the clients, because they didn’t
approve a script; they approved a social experiment.
We did an extensive research to find the best sketch artist out
there. When we found Gil Zamora, and he told us about his drawing
technique by asking questions, and we saw his style and personality, we
knew we’d found the right guy. He got really excited about the project
and he was crucial for the campaign. There’s something really powerful
when you bring together two elements from completely different worlds:
an FBI-trained sketch artist and women’s self-esteem.
The participants where selected through a normal casting session. We
looked for women from different ages and ethnicities. And women that
could represent well Dove’s concept of “Real Beauty.” The strangers were
also selected through casting. The goal was to find nice, easygoing,
outspoken people, who could quickly befriend someone and would be able
to describe that person later.
The shoot took three days in a loft in San Francisco. Gil would draw a
woman describing herself in a day and then draw the stranger describing
the same women on a different day. Gil would never really know who
exactly he was drawing. The project was shot by John X Carey from
Paranoid US. He was the perfect director for the project. He shot it in a
beautiful documentary-style way, capturing all the right emotions on
camera.
I think it went viral because it moves you, because it makes you
think, because it’s based on a true insight. Most ads today don’t evoke
any clear emotion, they just communicate a particular product or service
benefit. We wanted to do something really emotional. Most women cry
when they watch it. But not only women; men, too, because they think
about their mothers, sisters, and daughters. I myself cried several
times. We knew we had something good in our hands, but yes, we are a
little surprised by how fast it went viral. We love it when something we
do gets talked about beyond advertising trade publications, by
magazines like Fast Company. We also love it when people make
the concept their own, by making spoofs and parodies. The “Men: You’re
Less Beautiful Than You Think” spoof is really funny.
I think the project is pretty diverse. We had Caucasian,
African-American, Asian women participating. Like always, we’ve used the
best bits, the best moments in terms of editing and to make our point.
If 99% of people like it, I think it’s fine. There will always be
someone that will say something, no matter what you do. What really
matters is that people are spreading quickly the message of "Women:
You’re More Beautiful Than You Think." And I think it’s an important and
necessary message to put out there. We feel really good about it.
Because right now, some woman, somewhere, is watching this film and
feeling better about herself.
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